The Benin Bronzes Essay -- Benin Brass Plaques

This essay deals with the nature of a cross cultural encounter amongst the Benin people and Portuguese traders in the 15th and 16th centuries, which resulted in the motion picture of Portuguese figures in Benin giving medication plaques. It will propose that this contact mingled with people with different cultures was on the basis of mutual regard (Woods, K. 2008, p. 16), and although the Portuguese had qualms about fear in Benin it will show that assumptions by Europeans up to the 20th degree Celsius of the primitive nature of tribal African societies was inaccurate with regard to the Benin people, who had a society based on the succession of the King or Oba, a Royal Family and Nobility. The essay will finally suggest that Benins sum up in wealth following the arrival of the Portuguese led to a resurgence in bronze sculptures and the introduction of a new form, the linear plaque.The plaque under consideration, is of a forward facing man, with an aquiline nose, fragile lips, neatly trimmed beard, wearing a sun hat with flapping and looking intently at the viewer. He is dressed in a typical 16th century Portuguese style, wearing a advancedify tunic with padded shoulders and tight breeches with short boots. He has a business like manner, carrying in his right hand a brass manilla, the main item of exchange with Benin, and a walking cane in the other. It is significant that he is not armed, clearly indicating he is safe in foreign surroundings. The background is pleasingly stylised with clusters of petals set against a speckled ground imbuing a secure feeling.It seems probable that Fernao Gomes, a Portuguese merchant adventurer spy the kingdom of Benin in 1474 (Wood, K. 2008, p. 8), seeking trading opportunities and looking for gold. The... ...best case for the property of the British Benin sculptures is to accord them the unique status they deserve as special contrivanceworks and exhibit them appropriately in a prestigious national art gallery, fo r everyone to appreciate fully.Works CitedFlinders, P. and Holman, K. and others, (2012) AA100 Tutorial Forum Book 3, Weeks, 1 and 2 Benin , online at http//learn.open.ac.uk/mod/forum/discuss.php?d=900850, accessed between 4 and 17 February, 2015.Loftus, D. and Wood, P. (2008), The Art of Benin changing Relations Between Europe and Africa II in Brown, R. D. (ed.) Cultural Encounters (AA100 Book 3), Milton Keynes, The overt University, pp. 43-87.The Art of Benin, (2009), AA100 DVD ROM, Milton Keynes, The Open University.The Open University, (2008), AA100 Illustration Book (Plates for Books 3 and 4), Milton Keynes, The Open University.