Good and Bad in Othello Essay -- Othello essays

Good and hazardous in Othello A huge battle between good and detestation is waged the William Shakespeares drama Othello. In this essay let us subject the many facets of these two dimensions as presented through the intelligences and actions of the compositors cases. Can the protagonist, who has committed a double shovel ining in the last scene, be relieve? In William Shakespeare The Tragedies, Paul A. Jorgensen discusses the theology of the final scene It is better non to look too anxiously into the theology of the outcome. Othello has no doubt that he is damned. But better theologians than he would place more credence and consent in the genuineness of his final passion. From the stern general who had, as his kickoff line, the cold Tis better as it is (1.2.6), he has traversed a pilgrimage of know and feeling sorrow. And, it mustiness be repeated, it will depend upon the beholder whether star judges or rejoices in the transfiguration of loving non wisely but too w ell. (66) Unquestionably the most immoral, the most evil and sinister, character in the play is the ancient. Totaling the lies which he tells to every mavin about him would require considerable lawsuit and time. In Shakespeares Four Giants Blanche Coles comments on the lack of veracity in Iagos speech The story that Iago tells Roderigo about the promotion of Cassio over him is not true, although it has been accepted by many discriminating scholars. Careless reading simply can account for this misapprehension, careless reading which for the moment dulls their alertness to one of the most essential requirements of Shakespearean character analysis. That requirement is that the reader must never accept, or must always be ready to challenge, the word of any charac... ...rdered mistress, resuscitates morality in this play. Emilia refutes the untrue notions which Othello says motivated him to kill she counters Iagos lies (She give it Cassio? No, alas, I found it, / And I did givet my husband.) and lays the guilt for Desdemonas murder on his shoulders. And she sacrifices her very life for the trueness she dies a martyr, stabbed by evil Iago. Othello also is a martyr in a sense, voluntarily paying in full for the crime that he committed. WORKS CITED Coles, Blanche. Shakespeares Four Giants. Rindge, New Hampshire Richard Smith Publisher, 1957. Jorgensen, Paul A. William Shakespeare The Tragedies. capital of Massachusetts Twayne Publishers, 1985. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos.